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ФОТО. Гейл, пятый сезон и не только.

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SomyGirl: Brian and Justin in bed at the loft. Brian is under the covers with his back to Justin. Justin is lying on his back with a leg drapped over Brian’s body. Justin is reading. He puts his book away and says he had a dream last night about them in the new house. Brian asks what were they doing? Cooking, gardening, sitting by the fire? Justin laughs not exactly and gets under the covers with Brian. It was a sex dream of “riding in the stables, diving into the pools, getting slammed on the tennis court”. Justin wants to give Brian a blowjob and disappears under the covers. Brian asks wouldn’t he just like to cuddle instead and a horrified Justin pops out from under the covers. Cuddle?! Did Brian Kinney just use the word “Cuddle”?! Brian fucks, sucks, rims and rams but he does not cuddle! Brian apologizes for the use of such an offensive word and promises to never do it again but Justin’s not letting it drop. He hops out of the bed and says that every day they get closer to the wedding, the person Justin knows gets further away. Brian insists that he’s right here but Justin says no, Brian is not acting like himself. Looks like Brian, feels like Brian, sounds like Brian, but it’s not Brian. Brian says he’s trying to make Justin happy and Justin argues that he doesn’t want Brian to do that, he wants Brian to do what makes Brian happy. “What about you?” Brian turns the tables and brings up NY. Justin climbs back in bed and declares to “fuck NY and fuck the art world”. Brian thinks he’s scared to take the chance on NY but Justin argues he’s not. He tries to say he doesn’t want it but Brian knows that is bullshit. If it weren’t for Brian and the marriage, would Justin go to NY? Justin argues he can’t answer because he doesn’t know. But Brian does. They both agree that they don’t want the other to sacrifice who they are and call it love. They lie back in bed together, heads close and kinda holding each other. Debbie serving Michael a sundae because it’s as sweet as him and then whops him upside the head to remind him of what will happen if he ever stops being a good son. Michael and Ben call Hunter over and ask him to take a seat. Ben says they got his report card and he passed all his subjects so that means he can now graduate with his class. They’re all happy. Michael and Ben give Hunter a journal with the initials “H.N.B.” on it for Hunter Novotny-Bruckner. They tell him that they want to legally adopt him if he agrees to it. Of course he does. And they’d better do it fast in the event that Prop. 14 passes. At the rehearsal dinner, the gang is chatting about what to get Brian and Justin. Ben wonders what you get the man (Brian) who’s literally already had everthing (and everyone, he means). Lindsay suggests a water buffalo and tries to explain Justin’s water buffalo joke of season two. (That’s continuity, yo!) Daphne, who is looking absolutely gorgeous in this scene, says that Justin’s already got everything he ever wanted. Brian and Justin arrive then and everyone cheers and applauds for them. Justin thanks them for coming to the dinner. But the wedding is off, Brian finishes. The gang laughs nervously, thinking it’s a joke but Justin assures them that it’s true. They’ve decided not to get married. They smile at each other, both seeming fine and at peace with the decision. Their friends are stunned silent, except for Deb who wonders how one returns a water buffalo.

SomyGirl: Cut to Kinnetiks were Brian is meeting with his clients again and shows them the re-done ad. The female clients loves it, it’s intimate, warm and romantic. All the feelings a woman associates with love-making, Brian agrees. Some women, Cynthia corrects. (Thank you, Cynthia.) But Brian says the problem is that women aren’t going to be buying their product, men are. And men want to have sex, it’s why they’re paying ten bucks a pop for this pill. Not cuddle in front of a fire with a nice woman who looks like their mother, but to fuck and get off. The woman still wants the new ad but Brian tells her she can’t have it. Despite the conservative times, it’s still all about sex. Sex sells and always will. And if they don’t like it, they can take their business elsewhere. Mel and Lindz deciding what they will take with them to Canada, what they’ll sell and what goes into storage. Lindz wants to keep one of the tables. She says she keeps telling herself it’s just a house, but everywhere she looks she sees them. Like over there -- cue flashback to season one and Gus’ bris (sp?). Cue a season two flashback of Mel’s wedding proposal. Mel has a memory of her and Lindz breaking up in season four but she doesn’t want to talk about that. Lindz says the bad memories are a part of them, too. Without them they won’t appreciate the good ones. They decide to make one more memory and start to kiss. At Mt. Flame, Emmett and Ted have gone together to celebrate Ted’s birthday. They’re sitting in front of the fireplace and Em has a birthday cake for Ted brought over. Em tells him to make a wish and blow out the candles. Ted says that every year he always wishes for the same thing -- a boyfriend, someone to love who will love him. But this year he’s decided to wish for something else. The wisdom and maturity to realize that he won’t find what he wants by looking for it. He can’t expect a man to give him what he’s never given himself. Ted says he’s not a half waiting to be whole, he gets that now. Even if he never finds love, he will be just fine. Ted blows out his candles and literally the moment he does, who should walk up but Blake. Blake speaks and Ted is stunned to see him. Blake is on the gay ski team and there for gay ski week at Mt. Flame. They make small talk and flirt a bit and Em sends them off together to catch up. Em takes a swipe of icing from Ted’s cake and a guy walks up to him who, as a Southerner, let me say has one of the WORST fake Southern accents since “North & South” was made. He asks isn’t he Emmett Honeycutt of the Hazelhurst, Mississippi Honeycutts. Em is and finally recognizes the guy as Calvin Culpepper. They went to high school together and apparently Em had a bit of a crush on him back them. Emmett suggests they go to his room and “reminisce about old times”. Now it’s time to send off the lesbians (too bad this wasn’t done in season one!). J.R. is in her car-seat and Michael is leaning into the car and says good-bye to her. He stands back up as Debbie crudely hopes everyone peed before they left. Michael frets about the car and Mel assures she had it serviced. Ben makes them promise to call when they arrive and Debbie demands that they come back for holidays. Lindsay and Brian exchange a sad look. Mel and Lindz take turns hugging Michael, Ben and Debbie. Michael stares sadly into the window at J.R. then hugs Mel again. Brian opens the car door for Lindsay who asks him if he’s going to be all right. “Without you cwazy wesbians?” he asks. Lindsay says she meant Justin. “He’s a selfish prick, thinks only of himself,” Brian declares. “You taught him well,” Lindsay replies. It’s not said in a serious or bitter manner, but to imply that the opposite is true and they both know it. Lindz is about to cry then says she’s sorry. Then reminds of Brian’s motto, “No apologizes”. “No regrets,” Brian adds as he kisses her good-bye. Brian’s about to cry (or maybe I’m the one about to cry) and he leans in the rolled down back window to kiss Gus on the forehead and whisper “Bye, son”. Gus replies with another “Bye, Chicken” and starts to sing as the car pulls off. J.R. is crying. Mel and Lindz drive down the road as the gang waves good-bye to them.

SomyGirl: At the loft, Brian is pouring himself and Justin a drink while Justin packs. He asks when Justin’s flight is and it’s at ten. He brings Justin the drink as Justin tells him that he’s found a place to stay with a friend of Daphne’s. Work space will be hard to come by, though. Brian feels he’ll manage, he always does. Justin insists that he will be back and he really seems to believe it. Brian doesn’t seem quite as sure. Anyhow, Justin says he will be back and Brian will come there, they’ll see each other all the time. “You don’t know that, neither do I,” Brian corrects. “Whether we see each other next weekend or next month or never again, it doesn’t matter. It’s only time.” They both down their drinks and Justin sits his glass down on the coffee table. He spots the wedding rings and picks the box up, questioning that Brian didn’t return them. Brian says no, he didn’t return them. Brian smiles kinda sadly. Justin opens the box and touches the rings. He closes it, puts it down and walks back to Brian. He tells Brian that they don’t need rings or vows to prove that they love each other. They already know that. Brian smiles and nods. Brian tells Justin that he did it and Justin questions what. “Became . . . the best homosexual you could possibly be.” Brian grabs Justin and begins to kiss him almost desperately. They stare at each other for a long moment, kissing and touching. This fades into a scene of them making love as their past love scenes play out like a video on their bodies. The scene reminds me alot of their first love scene in 101. Afterwards, Brian stares down at Justin, touches his face and then buries his (Brian’s) face into Justin’s neck. Long shot of them lying on the bed together, Brian lying on top of Justin. This fades into a scene of Brian lying in the same position, only Justin’s gone. Then of Brian sitting alone and smoking on the bed. Then Brian working at his computer. Michael lets himself into the loft and says he thought Brian might like some company. Brian asks what he’s doing out so late and Michael replies that it’s barely midnight. In the “good old days”, they’d just be getting to Babylon right now. Brian reminds that Babylon and the good old days are gone. Michael tosses him his jacket and says not yet. Cut to the bombed out interior of Babylon. They turn the lights on and Michael can’t believe the state of the place now. They reminisce about how this is the place they came the night of their senior prom. They dumped their dates and sunk in to Babylon, got stoned and danced and Brian got a blowjob in the backroom. “This is were it all began,” Michael recalls. “And ended,” Brian sadly adds. Michael argues that this is who they are, this is what made them. Brian reminds that Michael was the one who said Babylon was just a cheap illusion were nothing changes on the inside but life goes on in the outside world. Michael acknowledges that he did say that, but that was before he understood that some things aren’t meant to change. He asks Brian to dance with him but Brian scoffs at that, saying there is no music. Michael insists there is, can’t he feel that old “Thumpa, thumpa”. Michael pulls ones of the dance tiers over and Brian yells at him that he’s going to bust his stitches. Michael hops on it and wants to dance but Brian’s not too interested. He starts to walk out, saying he’s too . . . “Old?” Michael interrupts. He says that Brian will always he young and always be beautiful. He’s Brian Kinney, for fuck’s sake! Brian kinda smiles and comes back. Michael pulls him up on the dance tier and Michael starts to dance. Brian does, too, but he’s not that into it at first. Michael says their song is playing and “Proud” (from season one, 101 I believe) starts to play in the background. The two dance. A really, really long drawn out dance scene. Brian gets more and more into it until he's finally lost in the music. The camera starts to swirl around them and around Babylon and Babylon is slowly restored as the cameras swirls. Suddenly everything is back to it’s past Babylon glory. Lights going, confetti falling, dancers dancing, the place is packed with customers, people coming in and out, drinks being served, and Brian and Michael are dancing on the tier. They dance for a long time. (Really, if the show HAD to end with an emphasis on anyone’s dancing, why’d it have to be Gale? As much as I love the man’s acting, his dancing is cringe worthy. Not that Hal’s is that much better.) Emmett is in the crowd dancing with Calvin Culpepper. But Em can actually dance and move so why let the camera focus on him for too long, right?


SomyGirl: Ben is in the crowd smiling up at Michael. Ted and Blake are close to the bar, laughing and kinda hugging up to each other as they talk. Michael gives Brian a kiss and then gets down and goes to Ben. They start kissing and making out. We get shots of Brian, Michael & Ben, Blake & Ted, and Emmett dancing some more as Michael’s voice over ends the show. He says that the gay “Thumpa, thumpa” goes on and always will, no matter who’s in the White House. As the lady of disco, Gloria Gaynor has always sung to them -- “We will survive”. The final shots are of Gale’s bad moves as Brian dances alone on the tier, confetti falling around him. The credits roll as “Proud” continues to play. After the credits, there is one last little clip of Brian, Emmett, Michael, Ben and Ted all on the tier together. Michael, Ben and Ted are laughing and talking to each other and Brian and Emmett are hugging. Although a part of me wonders if this is meant to be the characters or if it’s just a moment between the actors themselves. And that, my friends, is the end of the series.

Даня: Ох, теперь фоток на всю жизнь хватит. Но как-то он мне совсем с этой бородкой не прёт.

shimatta: Грустно, дорогие товарищи! Сериал нужно было прервать на 308 серии. Брайан умирал от счастья, мы умирали от счастья – и вот на этой оптимистической ноте и нужно было закончить.

Bla-Bla-Bla: Значит все-таки они расстались.... блиин, я уже чувствую, что реветь буду...

shimatta: Я уже реву. Ну что за свинство, ВСЕХ пристроили, даже Тед под конец нарасхват пошел. Эммета вроде бы не пристроили, но Эммет - неубиваемый товарищ, он и так не пропадет. А бедного Брайана опустили ниже плинтуса. В таком финале, конечно, куда больше сермяжной правды, чем в варианте со свадьбой. Но это же сериал!! На фига нам правда, хочу, чтоб кончалось хорошо и красиво!!! Ну и ладно, не больно-то и хотелось. Тогда предлагаю такой вариант дальнейшего развития событий. Проходит несколько лет. Солнце случайно вспоминает, что у него в Питтсбурге мама живет, и приезжает к ней в гости. А Брайан тем временем повзрослел, остепенился и завел себе другого мальчика, от которого ходит налево только по праздникам. Джастину это не нравится - так и не получилось у него стать для Брайана единственным светом в окошке, он кусает себе локти, но недолго. В Голливуде он всегда найдет, с кем утешиться. Б. и Дж. расстаются друзьями, Дж. бросается навстречу новым сексуальным подвигам, а Б. мирно возвращается в семью, по дороге привычно зажав в угол парочку первых встречных, для него подвиги - это уже рутина.

SomyGirl: Ну они ведь не растались ! "Неважно когда мы увидим друг друга , на следующие выходные или в следущем месяце - это просто время ! "

asy99: Брайан умирал от счастья, мы умирали от счастья Это точно.

asy99: блин, мне тож грустно стало (

SomyGirl: Я бы предпочла другой расклад- Брайн и Джастин остаются в Питсбурге влюбленые и счастливые , Тэд встречает другого парня , нового героя в последних сериях ( возвращаться к Блейку слишком просто и если у них не получилось в первый раз то и сейчас в это трудно поверить ). Эммет конечно с Дрю ( я рада , что авторы нашли ему достойную пару ). Мэлани и Линдси сытые по горло рутиной , ложью и битвами за детей решают просто остаться подругами и Мэл уставшая от повседневноси завязывает отношения со своей новой клиенткой с которой у нее много общих взглядов и такойже темпераментный характер . Линдси продвигается на работе и становиться директором благотворительной организации , где она может выплеснуть все свое добро и познакомиться с новыми людьми , будет ходить по гостям , купит машину , сделает новую стрижку и станет бизнесс-леди .Возможно даже заведет одноразовую интрижку с молоденькой асистенткой . Майкл наконец взрослеет и делает то , чего он боялся - переезжает вместе с Бэном, которому предложили преподавать в престижном институте и Хантером в другой город . Понимая , что теперь у него своя семья , а у Брайна своя и вся их любовь это просто братская превязанность , он принимает первое в своей жизни мужское решение .

shimatta: Все бы предпочли! Но поросенок Джастин плюет на наши предпочтения и желает покорять мир. И ведь он прав, язык не поворачивается обвинять его в бездушном отношении к бедному Брайану и несчастным нам! Если бы он еще недалеко уехал, например, в Нью-Йорк. Но я так поняла, что он едет именно в Голливуд, а это не ближний свет, запросто махнуть домой на уик-энд не получится. А Майки, мне кажется, УЖЕ оторвался от Брайана. Начал отрываться, как только появился Бен, а к 5 сезону этот процесс уже завершился. Майкл, так же, как и Дебби, не может жить один, ему обязательно нужно кого-то любить и о ком-то заботиться. Пока не было мужа, был Брайан. Появился муж - Брайан может идти курить. Майки некогда бегать с ним по Вавилонам, у него родительское собрание в школе. Опять же - Брайан остается одиноким и покинутым. В общем, вывод такой: нужно устроить Джастина работать поближе к дому. А Тед... не знаю. Блейк почему-то вызывает симпатию, жалко от него отказываться. Уж очень все между ними было искренне и трогательно.

SomyGirl: На своем опыте я не раз убеждалась , какими бы прекрасными , искренимип отношения у тебя небыли после разрыва никогда не стоит возвращаться к бывшему ! Потом будет еще хуже . Looks like QAF is being used as a springboard for new programming, as evidenced by this tidbit from Yahoo news: WEEDS, a single-camera comedy starring Mary-Louise Parker, Elizabeth Perkins, Kevin Nealon and Justin Kirk exposes the dirty little secrets that lie behind the pristine lawns and shiny closed doors of homes in the fictional town of Agrestic, California. It will enjoy a special "sneak preview" at 11 PM on Sunday, August 7, immediately following the QUEER AS FOLK one-hour series finale to give it maximum sampling. On June 18th, 2005, Robert Gant will present an award to Lambda Legal at the Human Rights Campaign banquet to be held at the Beverly Hilton, 9876 Wilshire Boulevard in Beverly Hills, CA. Robert will guest star on the new TNT series "The Closer," starring Kyra Sedgwick. His episode is set to air sometime in August of 2005. And as if that wasn't enough, Robert is also featured in this month's issue of People magazine's 50 Hottest Bachelors, as one of the 12 Sexy Men of the Moment. "These 12 sexy stars are in the spotlight-and out of this galaxy!" reads the headline. The article mentions that Robert is 36 years old, plays Ben Bruckner on QAF, and that he and two partners are lining up projects for their production company, mythgarden. Now that he's moved into a new place in the Hollywood Hills, he says, "I bought a whole set of pots and pans because I'm dying to learn how to cook. It would be fun to do it with a boyfriend." The actor is planning to get a chocolate Lab. "I'm going to do the whole puppy thing. I love cats, but I'm allergic to them. I guess I could get shots, though, so cats wouldn't be a deal breaker if somebody had them." Randy Harrison and Gale Harold are both mentioned in "ATLANTAboy: An Insider's Guide to Gay Atlanta," the city's first gay travel book written by two friends who grew up together. They give "insider tips" on exploring the city in which they've spent 20 years of their lives, including the fact that "The two lead stars of Queer As Folk -- Gale Harold (Brian Kinney) and Randy Harrison (Justin Taylor) -- are both from Atlanta."

Bla-Bla-Bla: SomyGirl На том свете - тоже время...

SomyGirl: Приколные отзывы журналистов о превых сериях сезона 4 случайно нашла и посмеялась . Queer as Folk Michael can't figure out how Brian can love him. Me, I can't figure out how Brian can even like him, what with him returning Brian's 'Vette covered in mud and full of empty burger boxes. Loyalty's loyalty, sure, but hey — cars are cars. CowLip дали интервью и рассказали о поседних сериях !!! "In terms of the characters and personal relationships, we've always said the show is about boys becoming men. People mature differently. Sometimes we have this vision that you must couple up, have children, and that's how you mature. But I don't think that's necessarily true. I think you can mature and still hold on to whatever your sexual mores or attitudes are. This has always been a big bone of contention in the gay community, so we have a situation going on like that this year, between Michael and Brian, that reflects that." Is this statement in line with the opinion that B/J are together in the end and committed to eachother. I think it works, but I'm not sure... "But then you have Brian, who sort of embodies the other side of that, which is the gay culture you hold on to: "We are not heterosexuals, we do not play by those rules, we do not have to be married." Again, I think this still works with the assumption that B/J are together and committed to eachother, just in an unconventional way. We are queer, if we are together it is because we want to be, not because there are locks on our doors...And IMO, they do WANT to be together... "Q -- Which one character do you feel the most protective of? > I feel the most protective of Brian. I'm very protective of him > and his attitude, because I really think that Brian is very much > an Ayn Rand-ian character. [It's] very classic, his individualism > and her philosophy of individualism, which is basically: You take > care of yourself first, and that enables you to take care of > other people. Because you're not resentful, you don't sacrifice > for other people." I just don't see this as precluding being in a committed relationship which I believe Brian wants in the end. I can't fathom having opened Brian up to love, that he wants to be alone now. And if Brian is the character they are most protective of, why would they want him to hurt? Again, leaving Brian as a man in love and truly loved, commtted to Justin, doesn't mean giving up whatever other sexual mores or attitudes that work for them -- including a non-monogomous relationship. But certainly they want Brian to have the benefits of a loving relationship, unconvential as it is, don't they? "I remember the first season people were telling us that we > needed to change Brian, that he needed to be domesticated or > people would end up hating him. But we didn't. There is a > moment in the final season where he is almost domesticated, > but he breaks free of that, and his true colors come out. So > we definitely played with him a little bit in the final season, > but we knew that we wanted to show the layers of him and his > humanity." Anybody have an opinion on what he's saying here? Brian is almost domesticated and then his true colors come out? I'm not getting it. I thought it was more about both B/J realizing they could still have eachother and remain true to themselves -- not true colors coming out... "I think it's a very satisfying ending. It's not a situation > where all ends are tied up, it's not happily ever after, > necessarily, but I think it does reflect what's happening in > the world regarding the gay community, and I think it is very > hopeful." Hopeful for B/J as well?... I know, I view everything through the B/J lens, but I can't help it... >

SomyGirl: ПРОДОЛЖЕНИЕ следует > Planet Out > > June 28, 2005 > > Dan Lipman Says Goodbye to "QAF" > > When audiences were first introduced to "Queer as Folk" > five years ago, the world seemed a more innocent and tolerant > place. Y2K had been much ado about nothing. The date September > 11 had no particular significance. And most people were going > happily about their lives, reaping the benefits of the dot-com > boom. For the gay community, the Clinton years had marked a > time of unprecedented gains in tolerance and visibility. > > It was in this atmosphere that executive producers Daniel > Lipman and Ron Cowen launched their unflinching, unapologetic, > insightful and entertaining look at gay life in America, > "Queer as Folk." > > Five years later, we find the "Queer as Folk" characters > living in a much different world, one that Lipman and Cowen > could never have imagined when they brought the groundbreaking > series to the States. > > During these five years, the series has generated both > critical acclaim and righteous indignation. Fans have lauded > its realistic representation of gay life, which has so often > been relegated to the status of comic relief or melodrama. > Critics, straight and gay, have bemoaned the show's emphasis > on sex and drugs. > > The series launched its fifth and final season in the middle > of a divisive, escalating cultural war in America. Rather than > take the easy way out, Lipman and Cowen felt it necessary to > put their characters right in the middle of the battlefield. > > Lipman spoke to PlanetOut entertainment editor Jenny Stewart > about the end of the hit series. > > Q -- It sounds like a daunting task, having to decide how to end TV's > first-ever dramatic series about gays. What was the process like, > and can you give us some idea of how you're ending it? > > If you asked me last year what the final season would be like, > I would have had a very, very different view of it. Back when > we filmed season 4, it seemed like the 21st century was going > to be a little more civilized and more tolerant than the last > century in terms of gay rights. > > But things really changed after the election. There are laws > being passed in several states where not only can gay people > not marry but they also cannot adopt, they can't be foster > parents. On top of that, right now in Michigan there is a bill > waiting to pass where doctors can decline to give health care > to gay people. So things have really taken a step backwards, > and we have to reflect this. > > In terms of the characters and personal relationships, we've > always said the show is about boys becoming men. People mature > differently. Sometimes we have this vision that you must couple up, > have children, and that's how you mature. But I don't think > that's necessarily true. I think you can mature and still hold > on to whatever your sexual mores or attitudes are. This has > always been a big bone of contention in the gay community, so > we have a situation going on like that this year, between > Michael and Brian, that reflects that. > > There are gay people everywhere who want to assimilate into > the population. You see these neighborhoods all over the place > now where gay people move in and they sort of gentrify them. > And a lot of them are family-friendly because they are having > children together. > > Michael and Ben sort of embody that. But then you have Brian, > who sort of embodies the other side of that, which is the gay > culture you hold on to: "We are not heterosexuals, we do not > play by those rules, we do not have to be married." > > Q -- The show is ending at a time that is particularly bad for gays > politically. Were you tempted to do one more season just so die- hard > fans would at least have something to look forward to? > > Funny you should mention that. Peter Paige said to me a couple > of months ago, "Considering what's going on in the world, it's > a shame we couldn't go one more season." And I said "No, Peter. > That's the way you leave."

SomyGirl: И наконец .......... Прочитайте до конца , найдете СЮРПРИЗ !!! > > To me, it's better to hear fans sigh and say, "Ugh, it's going > off the [air], I'm going to miss those characters" than have > those same fans sigh and say, "Ugh, the show has been on for > 11 years." I suppose we could have continued without the > actors, because most were on contract for five years and some > would have stayed and some would have gone. But to reconceive > it and bring on new characters -- I don't know, it just seemed > right to end it. > > We [were] always resigned the show would be five seasons, and > one of the things I'm proud of is that we've kept it edgy and > challenging. > I don't think there would ever have been a "QAF" before, and I don't > think there will ever be another "QAF." I think we had this one window > of time. > > Q -- Which one character do you feel the most protective of? > > I feel the most protective of Brian. I'm very protective of him > and his attitude, because I really think that Brian is very much > an Ayn Rand-ian character. [It's] very classic, his individualism > and her philosophy of individualism, which is basically: You take > care of yourself first, and that enables you to take care of > other people. Because you're not resentful, you don't sacrifice > for other people. > > There's a scene in the new season where he announces he's going > to buy Babylon, and he says, "I'm queer, and those of you who > don't like it, fuck you." That kind of attitude is just > astounding. He's probably one of the most original and > unusual characters ever to be on television. > > I remember the first season people were telling us that we > needed to change Brian, that he needed to be domesticated or > people would end up hating him. But we didn't. There is a > moment in the final season where he is almost domesticated, > but he breaks free of that, and his true colors come out. So > we definitely played with him a little bit in the final season, > but we knew that we wanted to show the layers of him and his > humanity. > > Q -- It seems like straight women, lesbians and even straight men > admire Brian a lot more than gay men do. Why do so many gay male > viewers hate Brian? > > I think because straight women, gay women and straight men > don't bring the baggage. I think the reason so many gay men > hate Brian is because there's a lot of the "shame factor." A > lot of gay men have had this kind of very specific sexual life > in their youth, and there's a sort of shame factor that rises > within them with Brian. > > Q -- Robert Gant said that, with all due respect to Hal Sparks, > who's straight, he thought it would be great to do sex scenes > with another openly gay actor, so there wouldn't be boundaries. > Then it occurred to me that all of the sex scenes on the show are > between one gay actor and one straight actor. Why is that? > > That was just by coincidence. It just turned out that way > through casting that some actors would be doing love scenes > opposite openly gay or openly straight actors. It's remarkable, > actually, that we've got three gay and three straight leads. I > think the chemistry is so great between all of them: Bobby > and Hal, Gale and Randy and Peter and Scott. > > And as far as Robert goes, I have to go along with him. > Because he's in the trenches doing this. It's one thing > for me to conceive it and write it and have meetings about > those scenes. To actually be in them is a completely different > thing. > > Q --Fans of the show are so nervous about the finale. Fan > sites are loaded with predictions on how it will end. Do you > think people will be satisfied? Anything shocking? > > I think there are a lot of shocking things along the way. In > fact, in the last three episodes there are some pretty shocking > things. > But everything is still in character, so it's ... realistically > shocking. I > don't think there are any situations where we like, you know, jump > the shark! We've never done anything for the sake of shocking. > > I think it

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